13 results where found for «#Exile»


South-Eastern Storm (La Sudestada)

Music piece by:
Poni Micharvegas
Testimony by:
Luis Alfredo Muñoz González
Experience in:
« While I was in solitary confinement in Cuatro Álamos, one day I noticed there was a large room at the end of the corridor, which, overnight, the dinos had filled with prisoners. »
[...]
« Although I only heard the song a few times before Carabantes disappeared from the prison block, I’ve never forgotten it. During my years in exile, I sang 'his' song as often as I could and to whoever wanted to listen. It leaves everyone moved even if they don’t understand Spanish. »
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We Shall Overcome

Music piece by:
Attributed to Charles Albert Tindley
Testimony by:
Héctor Salgado
Experience in:
« I would like to add, to the testimony of Alfonso Padilla, a picture of the musical group that performed the Joan Baez song, 'We Shall Overcome'. This group was formed and led by Alfonso Padilla during his time in prison. I was one of the first guitar students of Padilla. »
[...]
« The picture of the group was taken the same day a photographer was allowed to come in and take passport pictures for the people that were being exiled. »
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Poet of Destiny (Poeta del destino)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
« This song is a tribute to Miguel Enríquez, Secretary-General of the MIR, who was gunned down by a commando of the dictatorship’s secret police on 5 October 1974. »
[...]
« The original text was created in the Capuchinos Prison (my last stop in Chile before leaving for exile in Germany), and underwent substantial changes in the early 1980s (which in my view enriched the composition) when I had the chance to read the moving speech given by Edgardo Enríquez, father of the political leader, at the opening ceremony of the Miguel Enríquez Clinical Hospital in Havana, Cuba. »
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Valparaíso

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
« This song was written and sung in cell number 198 of Valparaíso’s former prison, that is to say, on the top floor of the main building, which was higher than the walls that surrounded it. »
[...]
« My privilege was twofold because as only an adopted son of the port city, I was fortunate to share that sad human space with Antonio, a great expert of the local geography, who taught me to love Valparaiso with a love that still beats in my heart after nearly forty years of exile. »
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Dreams of my Imprisonment (Sueños de mi encierro)

Music piece by:
Mario Patricio Cordero Cedraschi
Testimony by:
Mario Patricio Cordero Cedraschi
Experience in:
Cárcel de Valparaíso, Winter of 1975
« I’d spent two years in prison and there was no end in sight for my time in jail. I observed during visiting hours that many prisoners had children, a wife, family. »
[...]
« For a while, a musician from Valparaíso shared my cell and taught me my first chords. When he went into exile, he left me his guitar, which was my companion for another long year in captivity. »
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Let’s Break the Morning (Rompamos la mañana)

Music piece by:
René “Popeye” Cárdenas Eugenin
Testimony by:
María Soledad Ruiz Ovando
Experience in:
« Music was very important for us (my mother Sylvia, my sister Alejandra and myself) while my dad, Daniel Ruiz Oyarzo, 'el Negro Ruiz', was imprisoned during the dictatorship, when Alejandra was seven and I was four. »
[...]
« Later on, when my father was released from prison and sent to internal exile in Castro, Chiloé, we travelled with him. »
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Future (Futuro)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
« The dream of the political prisoner was to regain freedom. All of us would feel joy when one of us was about to be released from prison, although it far from easy to see a comrade depart. Even less so for those who suspected they would never enjoy that privilege. »
[...]
« At the time, I understood that my road to freedom would be a bit longer than that of the comrades who simply walked out the prison gates. My prison sentence had been commuted to deportation from Chile. Exile. In other words, I would have to board a plane and fly several hours before landing in freedom. »
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Ode to Joy (Himno a la alegría)

Music piece by:
original by Friedrich von Schiller (lyrics) and Ludwig van Beethoven (music). Free version in Spanish by Amado Regueiro Rodríguez, aka Orbe (lyrics) y Waldo de los Ríos (music), popularised in Chile by Miguel Ríos.
Testimony by:
Amelia Negrón
Experience in:
« Preparations for that Wednesday night became more intense. It would be a different night. We women prisoners had secretly organised ourselves, but more importantly, we had also coordinated with the male prisoners. »
[...]
« But that’s how it was. Some continued in prison while other others returned to their homes or were sent into exile. Few women, very few, ever returned. We prepared the New Year’s Eve dinner in advance. We had to be ready for the chosen hour: midnight - not a minute more, nor a minute less. »
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Free (Libre)

Music piece by:
José Luis Armenteros and Pablo Herrero, popularised by Nino Bravo.
Testimony by:
Paicavi Painemal
Experience in:
« I’m from Chol Chol, part of the Coihue community. I was arrested along with 12 other people and they took us to the Second Police Station of Temuco. »
[...]
« I was imprisoned for five years. I couldn’t go into exile because the politicians said that I was a Mapuchito. They pulled the chair from under me. But because I’m Mapuche, I returned to my community. »
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Cantata Our Great Mother (Cantata Nuestra Madre Grande) - Towards the Light (Hacia la luz)

Music piece by:
Manuel Luis Rodríguez Uribe (lyrics), Fernando Lanfranco Leverton (music), Marco Antonio Barticevic Sapunar (notation)
Testimony by:
Fernando Lanfranco Leverton
Experience in:
Campamento de Prisioneros Isla Dawson, December 1973; Cárcel de Punta Arenas, September 1975
« Most of us, political prisoners from the Magallanes region, were transferred to the detention and torture camp on Dawson Island on 21 December 1973. We came from the more than twenty detention, torture and interrogation centres of the civil-military dictatorship in the Magallanes region. »
[...]
« Then, we were transferred from Dawson Island to Punta Arenas, where we were detained at the Estadio Fiscal, the Regimiento Cochrane and finally, the Cárcel Pública. With each move, we clandestinely took the scores with us. In April 1976, we managed to get them out of the Cárcel Pública, and then I took them to my exile in Ireland. »
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