157 results where found for «Go Tell It to the Rain»


Saint Gregory’s Tonada (Tonada San Gregorio)

Music piece by:
Pedro Humire Loredo
Testimony by:
Pedro Humire Loredo
« This tonada recalls the horrible situation I was subjected to in the cells of the police station in the San Gregorio district in southern Santiago. »
[...]
« After dark, they brought more detainees and then proceeded to brutally beat them up. I heard the police tell these prisoners that they had to take them into the neighbourhood and show them where the other upelientos or leaders were. »
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Song of a Middle-Class Man (Canción de un hombre medio)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
« In our political discussions, we always spoke disdainfully of the middle class. In the view of the Marxist ideologues in prison, that sector of society supported the dictatorship and it was necessary to reverse that trend. »
[...]
« and if they say you are black, they tell you to get out of here. »
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Prayer So You Don't Forget Me (Oración para que no me olvides)

Music piece by:
Óscar Castro (words) and Ariel Arancibia González (music)
Testimony by:
Rosalía Martínez
Experience in:
« When Katia Chornik contacted me a few years ago asking me to provide my testimony about my musical experience in prison, I thought I didn’t have much to say. »
[...]
« In regards to the DINA period, the testimony of Julio Laks, who was also there at that time, will tell you about some of the moments experienced at the house on José Domingo Cañas Street. »
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Luchín

Music piece by:
Víctor Jara
Testimony by:
anonymous
Experience in:
« They said that once you got to the prison of Teja Island, you were safe. »
[...]
« They locked us in around six ‘o’clock in the afternoon, after giving us a cup of tea and bread. To pass time we would sing, tell jokes, or whatever came into our minds. »
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I Come Back (Vuelvo)

Music piece by:
Patricio Manns (lyrics) and Horacio Salinas (music)
Testimony by:
Fernando Aravena
Experience in:
« During our mateadas in the Prison of Santiago, we always talked about the song ‘Vuelvo’ (I Come Back). It gave you the hope of returning to the fight. The prison was only something temporary. »
[...]
« they’ll tell him in the end that he lives »
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Dona Nobis Pacem

Music piece by:
Text from Agnus Dei (Roman Catholic Mass); music by Wolfgang Amadeus Mozart
Testimony by:
Lucía Chirinos
Experience in:
« Music was always present in my family. My dad played the violin and my mum the piano. When I was a child, my mum sent us to dance and piano lessons. »
[...]
« I also taught them a very beautiful evangelical march that would lift our spirits. It went: “I’m happy and I’ll tell you why / I know that Jesus Christ saved me / I will always sing about his grace / I know that Jesus Christ saved me”. »
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You Can Blame Me (Échame a mí la culpa)

Music piece by:
José Ángel Espinoza, aka Ferrusquillo
Testimony by:
Marcia Scantlebury
« Mexican songs - and this one in particular - have always moved me. When I shared a cell with Miriam Silva, a young woman who belonged to the Communist Youth, arrested by the DINA when she was handing out leaflets on the street, we killed time in an organised fashion to keep ourselves from getting depressed and overcome by anxiety due to an unknown fate. »
[...]
« Tell them I betrayed you, that I was the worst »
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The Letter (La carta)

Music piece by:
Violeta Parra
Testimony by:
Paicavi Painemal
Experience in:
« We set up a band with a group of fellow prisoners. They were young, university students. One of them had a guitar. »
[...]
« and in this letter they tell me »
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The Letter (La carta)

Music piece by:
Violeta Parra
Testimony by:
Pedro Mella Contreras
« In January 1987, when solitary confinement was lifted and we were able to receive visitors, a brother who lived in Santiago travelled to see me. »
[...]
« and in this letter they tell me »
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Partisan Anthem (Himno guerrillero)

Music piece by:
Spanish version of 'Makhnovtchina', attributed to Ukranian anarchist Nestor Makhno, based on anonymous Russian melody.
Testimony by:
Julio Laks Feller
Experience in:
« In late September 1974, the Soviet partisan’s song was intoned softly but with an awe-inspiring force in the José Domingo Cañas torture centre. »
[...]
« They began dragging him, and as they passed our room, Rosalía began to quietly sing 'Por llanuras y montañas...' ('Through valleys and over hills'). It was a way to speak to him and to try to give him strength; to tell him we were there and that we were accompanying him. In a sense, it was really his song. We had sung it together many times. »
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