Cantos Cautivos
29 results where found for «Tres Álamos»
- Music piece by:Claudio Durán Pardo
- Testimony by:Claudio Enrique Durán Pardo
- Experience in:Campamento de Prisioneros, Tres Álamos, September - December 1975
- Tags:
- « I first laid my hands on a quena when I was nine years old. It was resplendently fragile and lyrical. My passion for this instrument was immediate, or rather, the quena chose me. »
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- « There were four pavillions In the Tres Álamos concentration camp in Santiago: Pavilion A, Pavilion B, the Women’s Pavilion and the section called Cuatro Álamos. »
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Prayer So You Don't Forget Me (Oración para que no me olvides)
- Music piece by:Óscar Castro (words) and Ariel Arancibia González (music)
- Testimony by:Rosalía Martínez
- Experience in:Campamento de Prisioneros Cuatro Álamos, November - December 1974
- Tags:
- « When Katia Chornik contacted me a few years ago asking me to provide my testimony about my musical experience in prison, I thought I didn’t have much to say. »
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- « I had spent most of my detention held by the DINA, at the house on José Domingo Cañas Street, called the Ollagüe Barracks. Then, I was held in solitary confinement at Cuatro Álamos and spent just a month in the Tres Álamos concentration camp. »
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- Music piece by:original by Friedrich von Schiller (lyrics) and Ludwig van Beethoven (music). Free version in Spanish by Amado Regueiro Rodríguez, aka Orbe (lyrics) y Waldo de los Ríos (music), popularised in Chile by Miguel Ríos.
- Testimony by:Renato Alvarado Vidal
- Experience in:
- Tags:
- « Once upon a time, there was a good little wolf. … No. That’s another story. »
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- « The matter is that he had experienced all the dictatorship’s dungeons - from Conrado Pacheco's hole beneath the basement stairs at Tres Álamos to the wooden boxes of Villa Grimaldi's
'The Tower' . From there he was now being brought back and was being placed in one of DINA's cells in Cuatro Álamos. »- [Read full testimony]
- Music piece by:Joan Manuel Serrat
- Testimony by:Beatriz Bataszew Contreras
- Experience in:Campamento de Prisioneros, Tres Álamos, December 1974 - May 1976
- Tags:
- « Tres Álamos was a more 'normal' camp, even though we never had a trial. There was a lot of music, it was sort of ritualistic. »
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- Music piece by:Sergio Vesely
- Testimony by:Sergio Vesely
- Experience in:
- Tags:
- « After our transfer from Tres Álamos to Puchuncaví in April 1975, a group of prisoners began toying with the idea of presenting a poetic-theatrical performance about the history of Latin America’s indigenous cultures and their extermination under Iberian domination. »
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- Music piece by:José Agustín Goytisolo (lyrics) and Paco Ibáñez (music)
- Testimony by:Amelia Negrón
- Experience in:Campamento de Prisioneros, Tres Álamos, 1975 and 1976, until the closure of Tres Álamos
- Tags:
- « There were so many of us women prisoners. Despite the circumstances, we had managed to invent our own world, one with our rules, according to what we thought and wanted for ourselves, our families and all the Chilean people. »
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- « Those bright colours, cheerful combinations, beautiful designs, the nearly perfect embroidery, had all emerged from the bowels of the notorious hellhole called Tres Álamos. »
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- Music piece by:Manuel M. Ponce
- Testimony by:Beatriz Bataszew Contreras
- Experience in:Campamento de Prisioneros, Tres Álamos, December 1974 - May 1976
- Tags:
- « To every comrade who had a birthday, we would sing 'Las mañanitas' and we would give them presents. The majority of the female prisoners would come together and sing to you. I spent one birthday in prison. Birthdays were important for everyone because we were alive. Because you have a birthday when you’re alive. »
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- « Once, I met someone who lived a block away from Tres Álamos and said that she could hear us. »
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Recinto: Campamento de Prisioneros, Tres Álamos- There are 11 testimonies about this detention centre.
- If you had a musical experience about this detention centre, please share it here!
- Music piece by:Collective creation
- Testimony by:Ignacio Puelma
- Experience in:Campamento de Prisoneros Ritoque, February 1975
- Tags:
- « The sound of the sea was carried over the cabins of the Ritoque Prison Camp by the wind. It was the daily music given to us as a gift by the ocean. »
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- « Gone were the torture centres, the cruellest torments seemed distant, and that perception helped us to reconstruct ourselves. Ritoque, Puchuncaví, Tres Álamos and other mass prisoner centres were seething places of activity. »
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- Music piece by:original by Friedrich von Schiller (lyrics) and Ludwig van Beethoven (music). Free version in Spanish by Amado Regueiro Rodríguez, aka Orbe (lyrics) y Waldo de los Ríos (music), popularised in Chile by Miguel Ríos.
- Testimony by:Amelia Negrón
- Experience in:Campamento de Prisioneros, Tres Álamos, 31 December 1975
- Tags:
- « Preparations for that Wednesday night became more intense. It would be a different night. We women prisoners had secretly organised ourselves, but more importantly, we had also coordinated with the male prisoners. »
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- « And the director counted to four and then, all of a sudden, we burst into song in unison. The voices of the nearly 120 women political prisoners in Tres Álamos concentration camp began singing 'Ode to Joy' as loudly as we could, towards the sky. »
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