Cantos Cautivos
49 results where found for «#Torture»
- Music piece by:Claudio Iturra (lyrics) and Sergio Ortega (music)
- Testimony by:María Cecilia Marchant Rubilar
- Experience in:Cárcel de Mujeres Buen Pastor, La Serena, September 1973 - January 1974
- Tags:
- « I was studying to be a chemistry teacher at the University of Chile in La Serena. I was 21 years old when I was arrested. I think I was picked up due to a specific fact. I was regularly sent copies of the El Rebelde newspaper by train, in order to distribute them in parts of Region IV. »
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- « The Good Shepherd Prison wasn’t a torture centre like Villa Grimaldi, Venda Sexy or other detention centres. For me, the simple fact of being a prisoner was torture enough. »
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- Music piece by:Jacqueline Misrahi, Lana Sebastian and Paul Sebastian. Popularised by Dalida in various languages: Italian ('Gigi L’amoroso'), Spanish ('Gigi el amoroso'), French ('Gigi l'amour'), English ('The Great Gigi l’amoroso'), German ('Gigi der Geliebte') and Japanese ('Ai suru Jiji').
- Testimony by:Eduardo René Cuevas
- Experience in:Regimiento de Infantería Reforzada Nº 3, Los Ángeles (nowadays Regimiento de Infantería Nº 17), October - November 1973
- Tags:
- « This song was used while the Military Intelligence Service (SIM) subjected me to cruel torture at a clandestine torture centre in the southern Chilean city of Los Ángeles. »
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Cantata Our Great Mother (Cantata Nuestra Madre Grande) - Towards the Light (Hacia la luz)
- Music piece by:Manuel Luis Rodríguez Uribe (lyrics), Fernando Lanfranco Leverton (music), Marco Antonio Barticevic Sapunar (notation)
- Testimony by:Fernando Lanfranco Leverton
- Experience in:Campamento de Prisioneros Isla Dawson, December 1973; Cárcel de Punta Arenas, September 1975
- Tags:
- « Most of us, political prisoners from the Magallanes region, were transferred to the detention and torture camp on Dawson Island on 21 December 1973. We came from the more than twenty detention, torture and interrogation centres of the civil-military dictatorship in the Magallanes region. »
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- Music piece by:Claudio Durán Pardo
- Testimony by:Claudio Enrique Durán Pardo
- Experience in:Campamento de Prisioneros, Tres Álamos, September - December 1975
- Tags:
- « I first laid my hands on a quena when I was nine years old. It was resplendently fragile and lyrical. My passion for this instrument was immediate, or rather, the quena chose me. »
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- « At 18, and still legally a minor, I was kidnapped, tortured in Villa Grimaldi, and then thrown into the illegal detention camps run by Pinochet’s military dictatorship. »
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Prayer So You Don't Forget Me (Oración para que no me olvides)
- Music piece by:Óscar Castro (words) and Ariel Arancibia González (music)
- Testimony by:Rosalía Martínez
- Experience in:Campamento de Prisioneros Cuatro Álamos, November - December 1974
- Tags:
- « When Katia Chornik contacted me a few years ago asking me to provide my testimony about my musical experience in prison, I thought I didn’t have much to say. »
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- « Even though, here, contrary to the camps run by the DINA, we were fed and in general we were not interrogated, the toughest aspect of this place was the fact that we had come from torture centres, and most of us were in a very poor physical condition, and we were held here for long periods, sometimes months, at the disposal of the DINA who might again drag us out for interrogation for hours, days or weeks at a time. »
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- Music piece by:Nydia Caro and Ricardo Ceratto
- Testimony by:Ángeles Álvarez Cárdenas
- Experience in:Villa Grimaldi, 6 - 15 January 1975
- Tags:
- « At that time, many prisoners were subjected to extreme torture in the interrogations. Some managed to get through those processes alright, while others broke down. »
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- Music piece by:Luis H. Profili
- Testimony by:Edgardo Carabantes Olivares
- Experience in:
- Tags:
- « Horacio Carabantes Olivares, my brother, was locked up in January 1975 at the Maipo regiment of Valparaíso, with a large group of male and female prisoners, all arrested by the DINA. »
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- « Some of the survivors have told this story, stressing the significance of that action by Horacio, who in the midst of interrogation and torture did not lose his nerve but took the opportunity to give his comrades a sign of hope. »
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- Music piece by:Roberto Carlos
- Testimony by:Pedro Mella Contreras
- Experience in:Recinto CNI calle Pérez Rosales 764, Valdivia, September 1986
- Tags:
- « I was arrested when I was 32 years old, along with approximately 23 other people. »
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- « The experience of being tortured with that song left a strong mark on me. The song was in fashion at that time. »
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- Music piece by:Nydia Caro and Ricardo Ceratto
- Testimony by:Beatriz Bataszew Contreras
- Experience in:Calle Irán Nº 3037 / Venda Sexy / La Discotheque, 12 - 18 December 1974
- Tags:
- « I have never been a great music listener. Nevertheless, before the coup I used to listen to
Nueva Canción , especially Quilapayún and Rolando Alarcón. I also liked cumbias, to fool around. We would dance and have fun. »- [...]
- « The history of the female political prisoners was different from that of the men because it heavily emphasised sexual violence and sexual torture. Up until now, this has been denied and looked upon with indolence, from institutions to human rights organisations. We women never achieved justice and never will. »
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- Music piece by:Eugène Pottier (lyrics) and Pierre Degeyter (music). Popularised by Quilapayún in Chile in the 1970s.
- Testimony by:Ana María Jiménez
- Experience in:Villa Grimaldi, April 1975
- Tags:
- « In April 1975, the triumph of Vietnam was celebrated. We heard about it through a comrade who went to the bathroom and found a piece of the week’s newspaper. It was so beautiful for us to be there, having shouted so often for Vietnam at demonstrations. »
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- « Former water tank in Villa Grimaldi, where brutal torture was applied. Many detained-disappeared were last seen alive there. »
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- « I have never been a great music listener. Nevertheless, before the coup I used to listen to