Cantos Cautivos
90 results where found for «#Writing music»
- Music piece by:Luis Advis
- Testimony by:Alfonso Padilla
- Experience in:
- Tags:
- « Between March 1974 and July 1975, I had the opportunity to arrange about 200 songs and direct the production of the Cantata de Santa María de Iquique. In truth, the prison was my conservatoire. That’s where I learnt the basics of the profession of musician. »
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- « The process of producing the Cantata Santa María de Iquique lasted little over two months, between the beginning of March and the second fortnight of May 1975. After writing down the lyrics from the record in a couple of days, I listened to the music for a month very carefully. Since I didn’t know how to read or write music, I annotated it with the note and chord names that accompanied the melody. »
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- Music piece by:Víctor Jara
- Testimony by:Alfonso Padilla Silva
- Experience in:Campamento Prisioneros Estadio Regional, 25 December 1973
- Tags:
- « During Christmas 1973, I was one of some 600 men and 100 women prisoners in Concepción Regional Stadium. »
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- « The experience of prisoners in many concentration camps and jails throughout the country shows that engaging in cultural and artistic activity - whether it be creating and performing theatre, writing poems and stories, as well as essays, and producing crafts or music - was of vital importance in strengthening our personal and collective moral, an attitude of resistance and the sense of unity among political prisoners. »
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- Music piece by:Rafael Alberti (lyrics), Ángel Parra (music)
- Testimony by:Alfonso Padilla Silva
- Experience in:Campamento Prisioneros Estadio Regional, 25 December 1973
- Tags:
- « During Christmas 1973, approximately 660 men and 100 women were held as prisoners in the Concepción Regional Stadium. Concentration camp officials allowed us to celebrate Christmas on the pitch. We were in a corner of the pitch and we used the pole vault pit as a stage. »
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- « The experience of prisoners in many concentration camps and jails throughout the country shows that engaging in cultural and artistic activity - whether it be creating and performing theatre, writing poems and stories, as well as essays, and producing crafts or music - was of vital importance in strengthening our personal and collective moral, an attitude of resistance and the sense of unity among political prisoners. »
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- Music piece by:Sergio Vesely
- Testimony by:Sergio Vesely
- Experience in:
- Tags:
- « One cold winter night of 1975, the small clinic of Melinka, in the Puchuncaví Detention Camp, became the setting for a touching story. »
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- « A week later we held a cultural event in the dining room to celebrate the happy event occurrence. On that day I finished writing my song 'The Black King' and I sang it for the first time for an audience comprised of political prisoners and soldiers. »
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- Music piece by:Claudio Iturra (lyrics) and Sergio Ortega (music)
- Testimony by:María Cecilia Marchant Rubilar
- Experience in:Cárcel de Mujeres Buen Pastor, La Serena, September 1973 - January 1974
- Tags:
- « I was studying to be a chemistry teacher at the University of Chile in La Serena. I was 21 years old when I was arrested. I think I was picked up due to a specific fact. I was regularly sent copies of the El Rebelde newspaper by train, in order to distribute them in parts of Region IV. »
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- « That’s how we found out about the things that were going on. It was a radio shared by the whole prisoner community so we’d play music that we could all listen to. I wasn’t able to listen to the type of music I would have preferred at times, such as classical music. »
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- Music piece by:Violeta Parra
- Testimony by:María Cecilia Marchant Rubilar
- Experience in:Cárcel de Mujeres Buen Pastor, La Serena, September 1973 - January 1974
- Tags:
- « We sang songs that were popular at the time. We’d sing 'What will the Holy Father say', especially the part that says 'What will the Holy Father who lives in Rome say ... they are slitting the throat of his dove...' quite often, for example when someone was taken off to Regimiento Arica, which was a torture centre. »
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- « It is hard to conceive of a day without music. For me music is to spend all day with my headphones on, listening to different kinds of music. »
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- Music piece by:Nydia Caro and Ricardo Ceratto
- Testimony by:Beatriz Bataszew Contreras
- Experience in:Calle Irán Nº 3037 / Venda Sexy / La Discotheque, 12 - 18 December 1974
- Tags:
- « I have never been a great music listener. Nevertheless, before the coup I used to listen to
Nueva Canción , especially Quilapayún and Rolando Alarcón. I also liked cumbias, to fool around. We would dance and have fun. »- [...]
- « The music had the purpose of covering the screams and the hubbub. Anyone in the vicinity would have taken notice of this music playing all day. »
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- Music piece by:Julio Numhauser
- Testimony by:Carolina Videla
- Experience in:Cárcel Pública de Arica, 1989-1990
- Tags:
- « My guitar accompanied me for the entire time that I was deprived of freedom. It was like a magnet. In the afternoon we would sing and play in the courtyard. »
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- « More than one guard asked us 'how is the music?'. 'Oh', I would say, 'well'. I understood that it meant 'I like your music' or 'good that you play the guitar'. »
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- Music piece by:Collective creation
- Testimony by:Ignacio Puelma
- Experience in:Campamento de Prisoneros Ritoque, February 1975
- Tags:
- « The sound of the sea was carried over the cabins of the Ritoque Prison Camp by the wind. It was the daily music given to us as a gift by the ocean. »
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- « 'Se escucha muy lejos' (You Hear It from Far Away), was the title of the song. The lyrics and the music, driven by the instruments, gave life to a song that departed from the traditional music of the Chilean left of the time. »
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- Music piece by:Piotr Ilich Tchaikovski
- Testimony by:Carmen Espinoza Alegría
- Experience in:Colonia Dignidad, April 1975
- Tags:
- « When we arrived at Colonia Dignidad, they threw us into a shed. I despaired, took off my hood and a guard gave me a slap so hard that I fell to the ground. This was my arrival at the Colonia. »
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- « When they took us to interrogations with our eyes covered and a hood on our head, they played classical music that hypnotised us. Later, when speaking to a comrade, he told me that the music was Swan Lake, a ballet by
Tchaikovsky . »- [Read full testimony]
- « I have never been a great music listener. Nevertheless, before the coup I used to listen to