155 results where found for «The Paper Boat»


Beloved Friend (Amado amigo)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
« This song, written in my cell at the Puchuncaví Prison Camp, speaks to a friend and fellow prisoner; it could be any one of the thousands behind bars. »
[...]
« Paper boat (barco de papel): We had a habit of wishing farewell to our comrades who were released or about to be transferred to other prisons. People who were not fortunate enough to be included in the group would gather around those who were about to leave, a ritual that sometimes included singing Julio Numhausser’s beautiful song 'El barco de papel'. The first verse goes like this: 'Se va el barco de papel por el mar de la esperanza, llevando un montón de sueños y los niños no lo alcanzan. Se va, se va y no volverá. Se va, se va a la libertad.' (The paper boat sails to a sea of hope, carrying dreams and children can’t reach it. There it goes, there it goes, and it will never return. There it goes, there it goes to freedom.). »
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The Paper Boat (El barco de papel)

Music piece by:
Julio Numhauser, popularised by the band Amerindios
Testimony by:
Carlos Muñoz
Experience in:
« One of the most important songs in the detention centres. Impossible to count how many times we sang it. Every time someone was released from a detention camp or there was credible information that a person would be sent into exile, a gigantic chorus would sing this song, in a powerful unison. No one could possibly forget it. Especially significant at Tres Álamos, as this was the “exit” camp. »
[...]
« The Paper Boat »
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The Paper Boat (El barco de papel)

Music piece by:
Julio Numhauser, popularised by the band Amerindios
Testimony by:
José Selín Carrasco Vargas
« While we were imprisoned in Melinka, this song was sung every time that one of us was released. I remember a fellow prisoner nicknamed Bigote Molina (Moustache Molina) singing the song when we were going to Tres Álamos, from where we would be released a few days later. »
[...]
« The Paper Boat »
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The Prisoner of Til Til (El cautivo de Til Til)

Music piece by:
Patricio Manns
Testimony by:
Renato Alvarado
« I arrived at Tres Álamos on the eve of the departure for Mexico with a large group of prisoners. The group included Dr. Ipinza, who before leaving entrusted me with the job of physician, the medicine donated by the Red Cross, and his position in the Council of Elders. »
[...]
« So they wrote the names on a piece of paper which they rolled up and pushed through a minuscule hole in the wall that separated both pavilions, near the back of the prison yard, next to the wash basins. »
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Saint Gregory’s Tonada (Tonada San Gregorio)

Music piece by:
Pedro Humire Loredo
Testimony by:
Pedro Humire Loredo
« This tonada recalls the horrible situation I was subjected to in the cells of the police station in the San Gregorio district in southern Santiago. »
[...]
« My final wish was to transport myself, by hook or by crook, to those northern latitudes. That was how that song developed, that song I was unable to write down. There was no manuscript paper, as we were thoroughly searched and checked twice a day. It was not possible to write down, only to learn by heart. »
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Melody by Jorge Peña Hen

Music piece by:
Jorge Peña Hen
Testimony by:
Eliseo González
Experience in:
Cárcel de la Serena, October 1973
« Jorge Peña Hen was in solitary confinement that day. I don’t know how, but someone brought him matches. With his saliva, he made ink from the phosphorus tips, which he then used to write a score of music on a scrap of paper. »
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Song of the Disappeared (Canción del desaparecido)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
« Several of my friends and comrades disappeared after being arrested. The dictatorship denied knowledge of their whereabouts but I knew they were lying. »
[...]
« They will publish in the paper »
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You Can Blame Me (Échame a mí la culpa)

Music piece by:
José Ángel Espinoza, aka Ferrusquillo
Testimony by:
Marcia Scantlebury
« Mexican songs - and this one in particular - have always moved me. When I shared a cell with Miriam Silva, a young woman who belonged to the Communist Youth, arrested by the DINA when she was handing out leaflets on the street, we killed time in an organised fashion to keep ourselves from getting depressed and overcome by anxiety due to an unknown fate. »
[...]
« Since Miriam also liked music, one of the activities we planned was to spend the afternoons singing. On a piece of toilet paper I copied down the words to the song 'Échame a mí la culpa', so she could learn it and then we could sing it together. »
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King Ñaca Ñaca (El rey Ñaca Ñaca)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
« 'Ñaca-ñaca' was an interjection we used at Camp Melinka whenever we wanted to signal and poke fun at any dark thought that might cross our minds. That may be why it seemed the ideal name to give to the paper maché puppet that played the role of the mean king in the puppet stories we performed to entertain the children who came to visit their captive fathers. »
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Melody by Jorge Peña Hen

Music piece by:
Jorge Peña Hen
Testimony by:
María Fedora Peña
Experience in:
Cárcel de la Serena, October 1973
« 'Look here, Maria Fedora. I’ve brought you a treasure', it was the voice of my brother Juan Cristián as he crossed the doorway of our mother’s house one morning in January 1983. »
[...]
« I took the tiny piece of paper that had been meticulously folded, on which one could make out snippets of musical staves and some notes. Without opening it, I brought the paper to my nose. Closing my eyes, I breathed in deeply, and I felt my father’s scent permeate my soul. »
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